We may not agree, but some will agree with me. I want to share this, to newbies and experienced people alike. I've missed several years that I had to focus on other things not as productive when I already had the tools at my disposal. It wasn't before I tried 8820 I released this was what was missing to get on the level of hardware and this was pretty recently too. If I had believed and accepted technology to be perfect I'd miss that aspect of reality and my musicality.įor a few years I've both been learning in detail how to program software synths (different in many ways from hardware) with great disappointments and have been in debate with hardware owners of the sound quality in synths. That taught me very clearly what Swing, groove and human timing was about. One experience that shaped me in many ways was quantization resolution* limitations that I noticed when live recording drum pads and it never came back as I had played because the sequencer quantized to its max resolution. I think it's vital to protect this natural musicality. It's when you're fresh and have no prejudice you form your foundational opinion on how the tools work with your musicality. I was quite clear that the Live synths are good starting points. That is literally the last thing he needs to worry about right now, or ever. Telling him to try high playback rates of 88200 etc is fucking absurd. This guy is brand new to synthesis, Strom. For later, use higher playback rates at 88200 or 96000 for great third party synthesizers.Īnd don't listen to this nonsense, either.
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